Navigable Ink


Format: ISBN:P 978-1-925760-52-1, PB (135 x 218mm), 80pp Rights: World Release / Publication Date: 01 /04 /2020


‘This intricate, inventive collection of poems compels the reader to follow the mutations of light and shade at the tangled roots of history. With kinetic interrogation, fugitive humor and emotional depth, Jennifer Mackenzie summons poetry of amplified humanity and imagination.’— Lucy Van

Indonesian writer and activist Pramoedya Ananta Toer spent most of his adult life in jail, imprisoned first by colonial powers and later by Indonesian governments. In 1993 Jennifer Mackenzie received a copy of Toer’s manuscript Arus Balik and the author’s blessing to translate it into English. This was at a time when the author’s now celebrated work was banned in Indonesia and he was under house arrest in Jakarta.
Jennifer Mackenzie’s own Navigable Ink is a rare poetic exploration of Toer’s tragic, visionary and ultimately triumphant life. With skill, knowledge and sensitivity Mackenzie captures the beauty of Indonesia and Toer’s fight to preserve its integrity and essence. Throughout our world, his concerns for the environment, gender equality, free speech, non-discrimination and freedom are now more crucial than ever.
Navigable Ink is a work of poetry that is at once activist, lyrical and heart-wrenching. You don’t just read these poems – you feel them.

‘Each injustice has to be fought against, even if it’s only in one’s heart – and I did fight.’ Pramoedya Ananta Toer

Jennifer Mackenzie is a poet and reviewer, currently living in Melbourne. Her first visit to Java and Borobudur inspired a life-long interest in the Asian region, an interest covering the literary, the academic, travel and work. With the publication of Borobudur (Transit Lounge 2009), her engagement with the region intensified with invitations to the Ubud, Irrawaddy and Makassar festivals among others, and with Borobudur being republished by the Lontar Foundation in 2012. In 2015 she had the good fortune to travel to Bhutan, and in 2016 enjoyed a residency at Seoul Art Space_Yeonhui. From 2012, Jennifer took up reviewing, focusing on books from and about Asia and is working on a collection of essays, Writing the Continent.